Diane Keaton Play It Again Sam Broadway 1968
| Play It Again, Sam | |
|---|---|
 Meirav Shirom and Guri Alfi in Play It Once more, Sam, 2010 | |
| Written by | Woody Allen |
| Date premiered | February 12, 1969 |
| Identify premiered | Broadhurst Theatre New York City |
| Original language | English |
| Genre | Romantic comedy |
| Setting | New York City, present |
Play It Again, Sam is a 1969 Broadway play written past and starring Woody Allen. A substantial hit, it ran for more than than a year and helped build Allen's reputation equally a performer who could portray a comedic romantic pb likewise as the neurotic persona for which he was all-time known at the time. The play became the footing for a 1972 motion picture of the same name, starring Allen and directed by Herbert Ross.
Plot [edit]
The play is nigh a recently divorced pic magazine writer, Allan Felix, who is trying to restart his romantic life. Eventually he falls in love (and has a cursory affair) with Linda, the wife of his best friend, Dick. During the course of the play, he repeatedly seeks advice from the ghost of his idol, Humphrey Bogart, just eventually decides that he needs to be himself rather than imitating Bogart. Telling Linda that the correct thing for her to exercise is to return to her husband, Felix quotes the famous lines that Bogart delivers to Ingrid Bergman in the concluding scene of Casablanca.
Cast [edit]
- Woody Allen every bit Allan Felix
- Sheila Sullivan as Nancy
- Jerry Lacy as Bogart
- Tony Roberts as Dick Christie
- Diane Keaton as Linda Christie
- Barbara Brownell equally Dream Sharon/Barbara
- Diana Walker every bit Sharon Lake
- Jean Fowler as Gina
- Cynthia Dalbey as Vanessa
- Lee Ann Fahey every bit Get Go Girl
- Barbara Press as Intellectual Girl
Product [edit]
Original product [edit]
Afterward ii previews, the Broadway production opened at the Broadhurst Theatre on February 12, 1969 and ran for 453 performances before closing on March xiv, 1970. Directed by Joseph Hardy, the cast included Allen as Allan Felix, Diane Keaton as Linda Christie, Tony Roberts equally Dick Christie, and Jerry Lacy as Bogart.[1] Allen left the evidence most the stop of its run and was replaced by Bob Denver.[2]
It was while auditioning for this play that Diane Keaton get-go met Woody Allen and they began their professional person and personal human relationship.[3]
London product [edit]
A production of Play Information technology Once again, Sam opened at the Earth Theatre in London's West End on September 11, 1969, starring Dudley Moore. Australian actor Pecker Kerr played the Humphrey Bogart part.[iv]
Reception [edit]
The Broadway production received generally positive reviews, including several from critics who saw information technology every bit a tribute to Bogart.[5] [6] UPI critic Jack Gaver thought information technology was "an agreeable entertainment" in which "[n]othing of outcome happens".[7] On the other mitt, New York's John Simon delivered a characteristically negative review, criticizing the "rawly autobiographical" content of the play as well every bit Allen's performance in it.[viii] Bob Denver's performance as Allen'southward tardily-run replacement was praised by New York Times critic Clive Barnes for conveying "a genuine clown-like wistfulness" that Barnes had found lacking in Allen.[two]
The production received iii Tony Award nominations, for Hardy'due south management and for the supporting performances of Keaton and Roberts.[1]
The 1969 London production was afterwards described in The Guardian's 2002 obituary of Moore as "a mistakenly Anglicised version" of the play.[nine] It received mixed reviews: The Daily Telegraph found Moore's "cuddly appeal" appropriate to the character,[9] only others thought Moore failed to capture the specifically "neurotic" image of "Jewish-American manhood" that the play required,[ten] while The Spectator's Hilary Spurling establish Moore to be "trapped with a fairly measly supply of jokes in a glum, transatlantic no-homo'southward-land" and "sadly unconvincing as a gormless twit".[11]
In his 2005 book, Interim Jewish: Negotiating Ethnicity on the American Stage & Screen, theater historian Henry Bial interpreted the play as ane that "carries the banner for a Jewish masculinity that is explicitly contrasted with both Bogart and the but other male graphic symbol in the play, Dick". In more general terms, Bial notes that Allen's graphic symbol, like Bogart, "overcame being 'not too alpine and kinda ugly' to succeed as a ladies' man."[5]
References [edit]
- ^ a b "Play It Again, Sam" at the Cyberspace Broadway Database.
- ^ a b Adam Bernstein, "Bob Denver, lxx; Brought Goofy Comedy to Function equally Idiot box's Gilligan", The Washington Post, September 7, 2005.
- ^ Diane Keaton, "The Large Picture show" Archived 2014-03-31 at the Wayback Machine, Faddy, November 2011.
- ^ Simon Farquhar "Bill Kerr: Comedian and actor who began as a kid star and became best known working with the Goons and Tony Hancock", The Contained, 3 September 2014
- ^ a b Henry Bial, Acting Jewish: Negotiating Ethnicity on the American Stage & Screen (University of Michigan Press, 2005), ISBN 978-0472069088. Excerpts available at Google Books.
- ^ "Broadway Boxscore", Associated Press in The Knickerbocker News, February fifteen, 1969.
- ^ Jack Gaver, "Sad Sack Woody Allen In Stage Debut As Sad Sack", The Pittsburgh Press, February 14, 1969.
- ^ John Simon, "Wishing Woody Wouldn't", New York, March x, 1969.
- ^ a b Ronald Bergen, "Dudley Moore: Theatre and television comic, classical musician and jazz original, and briefly an unexpectedly adorable Hollywood moving-picture show star", The Guardian, March 27, 2002.
- ^ Jeff Lenburg, Dudley Moore: An Informal Biography (iUniverse, 2001), ISBN 978-0595182688, pp. 43-44. Excerpts available at Google Books.
- ^ Hilary Spurling, "ARTS: Nut-and-apple example", The Spectator, September 19, 1969.
External links [edit]
- Play Information technology Again, Sam at the Internet Broadway Database
Source: https://en.wikipedia.org/wiki/Play_It_Again,_Sam_(play)
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